Paul Haslinger (born 11 December 1962) is an Austrian musician and composer. He lives and works in Los Angeles, California. In 1985, Haslinger joined the German electronic music group Tangerine Dream. During his 5 years with the group, he recorded a total of 15 albums, participated in 4 international tours, and collaborated on a number of soundtracks including Miracle Mile, Near Dark, Shy People and Miramar’s Canyon Dreams directed by Jan Nickman. The soundtrack for Canyon Dreams earned Haslinger his first Grammy nomination in 1991. In 1991, Haslinger left Tangerine Dream and relocated to Los Angeles. At the time, he was signed to Private Music. While under contract, he worked on a joint project with Peter Baumann, called Blue Room (unreleased). In 1994 Haslinger released his first solo record, Future Primitive (Wildcat), followed by World Without Rules (1996, RGB) and Score (1999, RGB). Through the 1990s, Haslinger collaborated on a number of projects with a variety of artists, among them: French Electronic band Lightwave, dark-ambient icon Brian Williams, aka Lustmord, singers Anna Homler & Nona Hendryx, as well as Jon Hassell. In 1998, Haslinger was asked to join the team around film composer Graeme Revell. He worked as a music programmer and arranger on films such as Chinese Box (1999), The Negotiator (1998), The Siege (1998), Pitch Black (2000), Blow (2001), and Lara Croft: Tomb Raider (2001). Haslinger has always favored a collaborative approach to film scoring, and has worked with many studio musicians and performers, such as Steve Tavaglione, George Doering, Greg Ellis, Diego Stocco, Charlie Campagna. In recent years he also started returning to some of his earlier work in experimental music, collaborating with Christian Fennesz and other artists related to British Avantgarde label Touch. In 2005, Haslinger was approached by Ubisoft to score the video game Far Cry Instincts. Since then, he has scored a string of game releases, including Rainbow Six: Vegas, Wolverine, Need for Speed. Most recently he collaborated with Ben Frost on the score for the latest installment in the Rainbow Six series, entitled Siege.

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