Sergio Leone
Director, producer, screenwriter, actor
Sergio Leone (January 3, 1929 – April 30, 1989) was an Italian film director, producer and screenwriter, credited as the inventor of the Spaghetti Western genre and widely regarded as one of the most influential directors in the history of cinema. Leone's film-making style includes juxtaposing extreme close-up shots with lengthy long shots. His movies include the Dollars Trilogy of Westerns featuring Clint Eastwood: A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966); and the Once Upon a Time films: Once Upon a Time in the West (1968), Duck, You Sucker! (1971) and Once Upon a Time in America (1984). Born January 3, 1929, in Rome, Leone was the son of the cinema pioneer Vincenzo Leone (known as director Roberto Roberti or Leone Roberto Roberti) and silent film actress Edvige Valcarenghi (Bice Valerian). During his schooldays, Leone was a classmate of his later musical collaborator Ennio Morricone for a time. After watching his father work on film sets, Leone began his own career in the film industry at the age of 18 after dropping out of law studies at the university. Working in Italian cinematography, he began as an assistant to Vittorio de Sica during the production for the movie Bicycle Thieves in 1948. Leone began writing screenplays during the 1950s, primarily for the 'sword and sandal' (a.k.a. 'peplum') historical epics, popular at the time. He also worked as an assistant director on several large-scale international productions shot at the Cinecittà Studios in Rome, notably Quo Vadis (1951) and Ben-Hur (1959), financially backed by the American studios. When director Mario Bonnard fell ill during the production of the 1959 Italian epic The Last Days of Pompeii (Gli Ultimi Giorni di Pompei), starring Steve Reeves, Leone was asked to step in and complete the film. As a result, when the time came to make his solo directorial debut with The Colossus of Rhodes (Il Colosso di Rodi, 1961), Leone was well equipped to produce low-budget films which looked like larger-budget Hollywood movies.
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