Jean-Alfred Villain-Marais known professionally as Jean Marais, was a French actor, writer, director and sculptor. He performed in over 100 films and was the muse of acclaimed director Jean Cocteau. In 1996, he was awarded the French Legion of Honor for his contributions to French Cinema. Marais' first film as leading man was Love Eternal (1943), a re-telling of Tristan and Isolde set in 1940s France, written by Jean Cocteau. It was directed by Jean Delannoy and co-starred Madeleine Sologne. It was popular and made him a star. Marais was the male lead in Voyage Without Hope (1943) with Simone Renant directed by Christian-Jaque. Christian-Jaque also directed Marais in Carmen (1944) with Viviane Romance. This was one of the most popular films in France when it was released. Beauty and the Beast and Jean Cocteau. Marais became a star in Beauty and the Beast (1946), written and directed by Cocteau. He performed in a popular revival of Cocteau's 1938 play Les Parents terribles on stage. Marais' next films were The Royalists (1947), a historical adventure film directed by Henri Calef from a novel by Balzac; and Ruy Blas (1948) with Danielle Darrieux, from a play by Victor Hugo and script by Cocetau, directed by Pierre Billon. Marais' second film with Cocteau as director was The Eagle with Two Heads (1948) with Edwige Feuillère. He did To the Eyes of Memory (1948) with Michele Morgan for director Jean Delannoy, a big commercial success, then Les Parents Terribles (1949) for Cocteau again. Marais was reunited with Delannoy for The Secret of Mayerling (1949), about the Mayerling incident. He did Orpheus (1950) with Cocteau, which was soon regarded as a classic. Marais and Morgan were in The Glass Castle (1950) directed by Rene Clement. Marais did two films for Yves Allegret: Miracles Only Happen Once (1951) with Alida Valli and Leathernose (1952). Marais was in L'appel du destin (1953) for Georges Lacombe; The Lovers of Midnight (1953) for Roger Richebé; Voice of Silence (1953), an Italian film from G. W. Pabst; Inside a Girls' Dormitory (1953); Julietta (1953) for Marc Allegret with Dany Robin and Jeanne Moreau; the all-star Boum sur Paris (1953); and The Faith Healer (1954). Marais starred in a version of The Count of Monte Cristo (1954) that was hugely popular. He then made some all-star Guitry films, Royal Affairs in Versailles (1954), Napoleon (1955) (playing Charles Tristan, marquis de Montholon) and If Paris Were Told to Us (1956); School for Love (1955) for Allegret, with a young Brigitte Bardot, a box office flop; Kiss of Fire (1956) for Robert Darène; and The Whole Town Accuses (1956). Marais did Elena and Her Men (1956) with Ingrid Bergman an Mel Ferrer for Jean Renoir. He followed it with Typhoon Over Nagasaki (1957) with Darrieux; S.O.S. Noronha (1957); White Nights (1957) for Luchino Visconti, with Maria Schell and Marcello Mastroianni; Girl in His Pocket (1958); King on Horseback (1958); Every Day Has Its Secret (1958); and the all-star Life Together (1958).

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