Tree Adams approaches the sound of a wooden spoon mashing potatoes, church bells tolling in Corsica, or air/a signal pushing through a tube mic pre with equal interest. Any of these could inspire a fresh way to tell a story with music, which is what he does. Equally at home conducting a large orchestra, programming beats in the studio, cranking out loud guitar solos in an amphitheater or arranging vocal parts with a gospel choir, Tree lives to create original and unique work for his every project. Over the past 20 years, Tree's adventures in film and television have given him the opportunity to collaborate with great talent in diverse styles. Recent projects include a haunting battle score for Jason Rothenberg's "The 100" (CW.) The score is rife with middle eastern colors and epic orchestral themes. Ken Biller's international espionage thriller, "Legends" (TNT) features a more minimalist approach combining solo cello and electronic soundscapes. For the John Hertzfeld's redemption film "Reach Me" (MIllenium Films), a traditional orchestral score. A gritty rock score for "Californication" (Showtime), an urgent cerebral score for the crime drama, "Perception" (TNT) a high energy electronica score for action/thriller "Run" (Millenium Films.) A dusty western score for "Swelter" and hip hop for Denis Leary and Bob Fisher's comedy "Sirens" (USA).

 

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