John Boorman
Producer, screenwriter, actor, director
John Boorman (born 18 January 1933) is an English filmmaker who is best known for his feature films such as Point Blank, Hell in the Pacific, Deliverance, Zardoz, Exorcist II: The Heretic, Excalibur, The Emerald Forest, Hope and Glory, The General, The Tailor of Panama and Queen and Country. He has directed 22 films and received five Academy Award nominations, twice for Best Director (for Deliverance, and Hope and Glory). He is also credited with creating the first Academy Award screeners to promote The Emerald Forest. In 2004 Boorman received the BAFTA Fellowship for lifetime achievement from the British Academy of Film and Television Arts. Boorman first began by working as a drycleaner and journalist in the late 1950s. He ran the newsrooms at Southern Television in Southampton and Dover before moving into TV documentary filmmaking, eventually becoming the head of the BBC's Bristol-based Documentary Unit in 1962. Capturing the interest of producer David Deutsch, he was offered the chance to direct a film aimed at repeating the success of A Hard Day's Night (directed by Richard Lesterin 1964): Catch Us If You Can (1965) is about competing pop group Dave Clark Five. While not as successful commercially as Lester's film, it drew good reviews from distinguished critics such as Pauline Kael and Dilys Powell and smoothed Boorman's way into the film industry. Boorman was drawn to Hollywood for the opportunity to make larger-scale cinema and in Point Blank (1967), based on a Richard Stark novel, brought a stranger's vision to the decaying fortress of Alcatraz and the proto-hippy world of west coast America. Lee Marvin gave the then-unknown director his full support, telling MGM he deferred all his approvals on the project to Boorman. After Point Blank, Boorman re-teamed with Lee Marvin and Toshiro Mifune for the robinsonade of Hell in the Pacific (1968), which tells a fable story of two representative soldiers stranded together on an island.Returning to the United Kingdom, he made Leo the Last (US/UK, 1970). This film exhibited the influence of Federico Fellini and even starred Fellini regular Marcello Mastroianni, and won him a Best Director award at Cannes. Boorman achieved much greater resonance with Deliverance (US, 1972, adapted from a novel by James Dickey), the ordeal of four urban men, played by Jon Voight, Burt Reynolds, Ronny Cox and Ned Beatty, who encounter danger from an unexpected quarter while whitewater rafting through the Appalachian backwoods. The film became Boorman's first true box office success, earning him several award nominations.
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